Click here to read Karen Rosenberg's Review of Eclipse in the New York Times

Click here to read Regina Hackett's Review of About the House in the Seattle PI

Click here to read Ken Johnson's Review of Standstill in the New York Times

CAMERON MARTIN: RESUME

Born 1970
Lives and works in Brooklyn, New York

EDUCATION
1996 Whitney Museum Independent Study Program, New York, New York
1994 Brown University, Providence, Rhode Island, BA


SOLO EXHIBITIONS

2008
Galerie Nikolaus Ruzicska, Salzburg, Austria

2007
Eclipse, Greenberg Van Doren Gallery, New York, NY
Eleven Rivington, New York, NY

2006
Focus 3: Cameron Martin, Philbrook Museum of Art, Tulsa, OK
Currents 97: Cameron Martin, Saint Louis Art Museum, Saint Louis, MO

2005
Works on Paper, Greenberg Van Doren Gallery, New York, NY (catalogue)
A Law of Ruins, G Fine Art, Washington DC

2004
A Turn Pale, Gallery Min Min, Tokyo, Japan (catalogue)
Clear Skies, Artemis Greenberg Van Doren Gallery, New York, NY

2003
Never Rider, Gallery Min Min, Tokyo, Japan

2002
Standstill, Artemis Greenberg Van Doren Gallery, New York, New York (catalogue)

2001
New Paintings, Kevin Bruk Gallery, Miami, Florida
Three Pictures, Howard House, Seattle, Washington

2000
Cameron Martin, Angstrom Gallery, Dallas, Texas

1999
Future Views, Tate, New York, New York
The Future Lasts Forever, Howard House, Seattle, Washington

SELECTED GROUP EXHIBITIONS

2007
In Monet's Garden, Columbus Museum of Art, Columbus, OH, traveling to the Musée Marmottan, Paris, France (catalogue)
Neointegrity, Derek Eller Gallery, New York, NY
Microwave 5, Josée Bienvenu Gallery, New York, NY
Shipworm and Gribble, Secret Project Robot, Brooklyn, NY
Back East, Mandrake, Los Angeles, CA
New Prints 2007/Spring, International Print Center New York, New York, NY
Melvins, Mandrake, Los Angeles, CA
Water, Ferragamo Gallery, New York, NY

2006
Ruth Root, Alex Brown, Cameron Martin, Sally Ross, Gallery Min Min,Tokyo, Japan
Pop and After, Saint Louis Art Museum, Saint Louis, MO
Tandem Press Highlights 1995-2005, Chazen Museum of Art, Madison, WI
Selections from the John Morrissey Collection, Armory Art Center, West Palm Beach, FL (catalogue)

2005
Terra Non Firma, Howard House Gallery, Seattle, WA
Structure, Licas Schoormans Gallery, New York, NY
Short Stories: Contemporary Selections, Henry Art Gallery, Seattle, WA
No Facsimile, Florescent Gallery, Knoxville, TN

2004
Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY
Stay Inside, Shoshana Wayne Gallery, Santa Monica, CA
About the House, Howard House, Seattle, WA
Colored Pencil, KS Art, New York, NY
Whitney Biennial, Whitney Museum of American Art, New York, NY(catalogue)
New Priints 2004/Winter, International Print Center New York, New York, NY

2003
Giverny, Salon 94, New York, NY
Nature Boy, Elizabeth Dee Gallery, New York, NY curated by Doug Wada
Melvins, Anton Kern Gallery , New York, NY, curated by Bob Nickas
How Come, Stux Gallery, New York, NY, curated by Max Henry
City Mouse/Country Mouse, Space 101, Brooklyn, NY, curated by David Hunt

2002
Contemporary Art Project Collection, Seattle Art Museum, Seattle, WA (catalogue)
Everybody Knows This is Nowhere, Kevin Bruk Gallery, Miami, FL
Painting and Illustration, Luckman Gallery, California State University, Los Angeles, CA, curated by Adam Ross
Linger, Artemis Greenberg Van Doren Gallery, New York, NY
The Sea, the Sea, Glen Horowitz Bookseller, East Hampton, NY
Guide to Trust No. 2, Yerba Buena Center for the Arts, San Francisco, CA, curated by ANP (catalogue)

2001
Three Painters: Eva Lundsager, Cameron Martin, Louise Belcourt, Lawrence Rubin Greenberg Van Doren Fine Art, New York, New York

2000
Twice Born: Beauty, Mills Gallery, Boston Center for the Arts, Boston, Massachusetts
3ness, Museum Dhondt-Dhaenens, Deurle, Belgium, curated by Dike Blair, Jimi Dams and Edith Doove (catalogue)
Shifting Ground: Transformed Views of the American Landscape, Henry Art Gallery, Seattle, Washington, (catalogue)
Flat File, Bellwether Gallery, Brooklyn, New York

1999
Other Paintings, Huntington Beach Art Center, Huntington Beach, California, curated by Julie Joyce
Another Country, Lawrence Rubin Greenberg Van Doren Fine Art/ Brent Sikkema, New York, New York
Air Hockey, Howard House, Seattle, Washington
Antiworld, Gallery Untitled, Dallas, Texas

1998
Open, Tate, New York, New York
Landscapes, Meyerson Nowinski Gallery, Seattle, Washington

1997
Apartments, Artra, Milan, Italy

1996
1996A, Holly Solomon Gallery, New York, New York
Images Lost and Found, Chassie Post Gallery, New York, New York

1995
Northwest Annual, Center on Contemporary Art, Seattle, Washington

1994
Home, The Bellevue Art Museum, Bellevue, Washington

AWARDS

2006
Steep Rock Arts Residency, Washington, CT

2005
Freund Fellowship

2001
Artists at Giverny Residency Program, Giverny, France

2000
Pollock-Krasner Foundation Award

1994
Samuel T. Arnold Fellowship


BIBLIOGRAPHY

2006
Watts, James, “Impermanent Illusions', Tulsa World, June 27, p. D3
Bonetti, Davis, “Landscapes Lack People and Power”, Saint Louis Post, Dispatch, April 2
Bonetti, Davis, “Best Bets”, Saint Louis Post Dispatch, March 23
Smith, Roberta, “Art in Review: Mike Childs”, The New York Times, January 27
“Mike Childs at Cue”, The New Yorker, January 15

2005
“Cameron Martin: Works on Paper”, The New Yorker, October 31

2004
Price, Matt, “Mixed Paint: a Survey of Contemporary Painters,” Flash Art, November - December
Kimmelman, Michael, “Whitney's Heavy Lifters Look Back”, The New York Times, May 30, p.22 Section 2
Kim, Sheila, “Investing in Lever House”, Interior Design, May, p. 188
Sundell, Margaret, “The Today Show”, Time Out New York, March 25- April 1, p. 56
Saltz, Jerry, “The Okay Corral”, Village Voice, March 15-21, p. 86
Goodbody, Bridget, “Review- Clear Skies”, Time Out New York, February 5- 12, p. 58
“Clear Skies”, The New Yorker, February 2, p. 15
Figura, Starr, “The Random and the Ordered”, Artnet.com Magazine, January 29
Douglas, Sarah, “Unites States : our selection A-Z, The Art Newspaper, January

2003
Reed, John, “Review- Giverny”, Time Out New York, July 24-31, p.46
Tamashige, Sachiko, “Real Tokyo”, Souen, July, p. 100
“Navigation”, Brutus, July, p.110
“Complex- Ropongi”, Bijutsu-Techno, June, p.151
Hackett, Regina,”Contemporary Art Project at SAM”, Seattle Post Intelligencer, January 3

2002
“The Artfull Lodger”, Elle Décor, November
Landi, Ann, “The Power of Suggestion”, Art News, Summer
“Planes”, Artist Project, Open City, Spring/Summer, vol. 15, p. 49-58
Johnson, Ken, “Art in Review: Standstill”, The New York Times, April 12, p. E36
Griffin, Tim, “Review- Standstill”, Time Out New York, April 11-18, p. 71
“Standstill”, The New Yorker, April 1 and April 8

2001
Bayliss, Sarah, “Best Bets”, Art News, July
Grant, Adriana, "Nature as Icon", Art Access, May, p.13-14
Ocana, Damarys, "Rock and an art place", The Miami Street, March 16-22, p.50
Finkel, Jori, "Review- Three Painters", Time Out New York, February 8-15, p.63
"Three Painters", The New Yorker, January 29, p.17

2000
Hoang, Cuong P., "In the Eye of a Curator", South End News, October 19
Temin, Christine, "Twice Born at BCA", The Boston Globe, September 27
Silver, Joanne, "And now something different", Boston Herald, August 11
Laureyns, Jeroen, "3ness- Licht, luchtig en vulchtig", De Standaard, August
DeVuono, Frances, "Shifting Ground at the Henry Gallery", Artweek, May, p.31
McCabe, Brett, "Art About Art: the works of Scott Reeder and Cameron Martin", The Met, April 12-19, p. 27
Fredericksen, Eric, "Real Real Estate: Shifting Ground at Henry", The Stranger, March 2-8
Kofoed, Kristian, "Changing land values- imaginative exhibit at Henry Gallery", Seattle Post Intelligencer, February 17, p. C4

1999
Walsh, Daniella, "A well-crafted but cold exhibit", Orange County Register, October 31
Chambers, Christopher, "Cameron Martin at Tate", dART International, Spring/Summer
Blair, Dike, "Cameron Martin at Tate", The Thing, March/April
Mitchell, Charles D., "Antiworld at gallery: untitled", The Dallas Morning News, March 26
Hackett, Regina, "Beneath Martin's Gray Surfaces, Flashes of Romance", The Seattle Post Intelligencer, March 15, p.D1
Rose, Cynthia, "An Artist Returns", The Seattle Times, March 5, p.E5

1998
Di Rado, Elena, "N.S.E.O.", Tema Celeste, January-March, p.63

1995
Hackett, Regina, "COCA Puts Shabby Past Behind It", The Seattle Post-Intelligencer, April, 3, p.E1

PUBLICATIONS:

2006
Focus 3: Cameron Martin, exhibition brochure, interview with Catherine Morris, Philbrook Museum
Currents 97: Cameron Martin, exhibition brochure, essay by Robin Clark, Saint Louis Art Museum
Selections from the John Morrissey Collection, essay by John Morrissey, Armory Art Center

2005
Cameron Martin: Works on Paper, story by Thad Ziolkowski, Greenberg Van Doren Gallery

2004
Whitney Biennial Catalogue, essay by Debra Singer; artist project
Cameron Martin, essay by Martha Schwendener, Gallery Min Min,
The Contemporary Art Project Collection, “What Ifs: Constructed Identities and Imaginary Places in the Contemporary Art Project Collection”, exhibition catalogue essay Tara Reddy Young, Seattle Art Museum,
Standstill, Introduction by Jeanne Greenberg Rohatyn, essay by Dike Blair, Artemis Greenberg Van Doren Gallery
Guide to Trust No. 2, exhibiton catalogue, Yerba Buena Center For the Arts

2000
3ness, "Some thoughts, 3 things and 9 artists", exhibition catalogue essay by Dike Blair, Museum Dhondt-Dhaenens,
Shifting Ground: Transformed Views of the American Landscape, "New Frontiers: Secondhand Landscape", exhibition catalogue essay by Rhonda Lane Howard, Henry Art Gallery Press


COLLECTIONS
Minneapolis Institute of Art, Minneapolis, MN
Saint Louis Art Museum, Saint Louis, MO
Seattle Art Museum, Seattle, WA
Henry Art Gallery, Seattle, WA
Philbrook Museum, Tulsa, OK
University of Wisconsin, Madison, WI
U.S. State Department Art Bank Program, Washington DC
Whitney Museum of American Art, New York, NY